Shrew Love

I posted bits of my latest RSPB illustrations on social media as I worked and had such a lovely response I thought I'd blog about the whole process. The RSPB are my longest running clients and there's nothing I love better than a Wild Times commission popping up in my inbox! Even better, the latest tale starred a shrew! Shrews are absolutely my new favourite, which frankly means I'm going to have to work really hard to resist the urge to create a new range of shrew homeware. Sadly, I don't think Not on the High Street will ever include any rodents in their trend forecasts and, unlike with the orangutans, I probably shouldn't risk it...

Anyway, I've started experimenting a bit lately, and for this story I tried a slightly more mixed-media approach, using paint and charcoal to create some of the background before assembling it all in Photoshop.

Not so long ago I was such a collage-purist that even using a pen to dot the eyes of my characters felt like cheating! But slowly, over the last couple of years, I've been straying from my roots as a scissors-and-glue evangelist to branch out ever so slightly.

The great thing about illustrating the RSPB stories is that I can adapt my technique to suit the tale. I don't usually decide exactly what kind of collage I'll make until the roughs have been approved. This is how one of the shrew illustrations turned out (you can see the following page, along with more of my RSPB work, here), and below are two previous commissions in different styles. For the harvest mouse I created both illustrations as whole, flat collages, only scanning them in when they were completely assembled. For the other story, about a boy's bedtime adventure with his toy animals, I worked in a really three-dimensional way to create a series of spot illustrations, quite similar to the way made the sets for The Birthday Crown book.

I'm really lucky to have a client who allows me to experiment a bit, and I'd definitely like to carry on down the mixed media route for other projects.

Making The Birthday Crown

As today's the Queen's official birthday I thought I'd share a few more progress photos from when I was in the midst of illustrating The Birthday Crown! You can find my original blog about illustrating the book here and see more illustrations in my portfolio, here.

And here's a very short (and very bad video) I made of the set a while ago...

The Birthday Crown

Towards the end of last year, I was contacted by the Royal Collection about illustrating a book to celebrate the Queen's 90th birthday. So I popped into St James's Palace one Friday morning in my best hat, got there far too early and then walked around outside for far too long, til I was almost late, flung my sketchbooks all over the security office floor, and somehow still managed to get the job! Cue: a lot of celebratory dancing. The story is written by Davide Cali, who has won 33 awards and is, you know, a proper children's book author, so after even more celebratory dancing I sat down to wonder quite how on earth I'd got this job and practice drawing corgis.

I LOVED working on this project. The story is all about finding the Queen the perfect crown for her birthday celebrations and involves a lot of snazzy headgear, but ends simply with a perfect paper crown from made by the prince and princess. Really unusually, the story is almost entirely set in one room of the palace, and I think the book's brilliant designer, Duska Karanov, and I simultaneously had the idea that I could make a proper set!

Here are a few photos of the whole thing:

Working on this made me think a lot about my own Grandma and Gran. They would have been beside themselves with delight if they'd known I was illustrating something for the Queen's birthday. The pose the Queen's adopting on the front cover is very much how my Grandma would look if she was opening a present - or just peering over your shoulder, waiting to make sure she'd boiled you the perfect egg.

You can buy a copy here and it's also available in all good bookshops.

Giveaway: Win a New Concertina Copy of ABC London

Competition now closed. Thank you very much to everyone who entered! And the winner is...

No. 5: GEMMA LUKER! Hooray! Please get in touch, Gemma, and email me your address.


I've extended the closing time for this competition by a day because some people have been having problems commenting. I think I've sorted it out now so please try again if you couldn't comment before!

Competition time! (It's been TOO long.) I was thrilled to receive advance copies of ABC London back in January (originally published by Frances Lincoln in 2012, written by James Dunn and illustrated by me). The super folk at Frances Lincoln have reissued it in a new concertina format, a compact 13 x 13cm in size, all packaged in a rather lovely box! A shame then, that I completely missed it's publication earlier this month, only remembering when my sister snapped a photo of it in Foyles!

I'm so pleased with how this book has turned out (possibly because, as one of my tutors at uni observed, everything looks better when you shrink it down - and I do much prefer the simpler type), that I've decided to give a signed copy away! All you need to do is leave a comment below.

Find out what makes London one of the world’s most exciting cities in this unusual alphabet that can be unfolded to nearly a metre in length. A is for Art, B is for Brick Lane, C is for Changing of the Guard… this delightful alphabet of words and pictures looks at some of the things that give London its unique and stylish cultural identity.
— Frances Lincoln Children's Books

Please share and tweet and like and so on, it's all hugely appreciated, although do make sure you leave a comment to enter. This competition is open to anyone, anywhere in the world and will close at midday (BST) on Monday 30th April The winner will be chosen at random on Sunday afternoon.

Good luck!


PS. I've still got spaces on my collage workshops on Saturday the 11th and 18th April. Lots more info here if you fancy a relaxing day in a lovely Staffordshire farmhouse learning a bit about my collage techniques accompanied with a slice of cake or two and lunch included!

The Little Red Hen

My third children's book, The Little Red Hen, was published on Tuesday by the wonderful Barefoot Books! The Little Red Hen © Kate Slater

I'm so thrilled with how this book turned out, I love the hardback matte cover and the lovely paperback with flaps. There's a story CD narrated by Debra Messing and the traditional tale is beautifully retold by Mary Finch.

Here's a sneak peek of what is probably my favourite illustration, where, as a reviewer in Publisher's Weekly noted, "the rooster briefly wears a cooking pot on his head."

Red Hen 16-17 © Kate Slater

You can buy here from Barefoot, here from your local indie or come along to The Book Barge at Barton Marina, Staffordshire on Saturday 12th October and have your book signed by yours truly!

 

Blue Peter visits the Farnes Flock!

Finally, at the grand age of seven-and-twenty, I am the very proud owner of a Blue Peter badge! A couple of weeks ago, on my birthday in fact, I was heading into the Peak District for a celebratory luncheon, enjoying the sunshine and generally revelling in the fact that I had not one single bird to cut out, when my telephone rang. It was Blue Peter's director asking if I could go up to the Farne Islands that very evening to be part of a feature they had planned the following day! What would Diane Louise Jordan* do? I asked myself, and quickly said YES before I had chance to get too nervous. So, after a quick sandwich, we hot-footed it back home for a slice of birthday battenburg (homemade with lots of marzipan - my favourite!) before I caught the train back up to the Farnes, just three days after I returned home from hanging the exhibition.

It's very exciting having your travel arranged for you by someone else. I spent a good chunk of the journey quickly trying to get to the part of Susan Cain's Quiet where she enlightens introverts on how to deal with public speaking. It turns out you need 1) practice: "Aaargh, I have no time to practice!" and 2) a passion for your subject: "BIRDS! COLLAGE! BLUE PETER! YES!" Everything would be ok, I promised myself, my jar of Night Time Kalms rattling reassuringly in my pocket.

In fact, everything was super. It should come as no surprise that people who work on Blue Peter are very lovely people indeed. They even gave me a special HAT. Anyone who knows just how much I love a good hat will not be surprised by my delight in having such a fine, green M&S specimen to add to my collection.

The children from the local middle school in Seahouses were brilliant. They asked some great questions about my exhibition and made lovely bird collages in a really short space of time. We also did quite a lot of walking in and out of the chapel, donning our hats at the appropriate moment, and a good deal of pointing at puffins:

 Blue Peter

Blue Peter

It was broadcast today and you can now see the whole programme here if you're in the UK, it will probably be available for a week or so and the Farnes bit is about 19 minutes in.

I'll be back on the Farnes during the summer holidays to run some children's collage workshops (as seen on Blue Peter!), I'll keep you posted and should have some definite dates lined up soon.

 Diane Louise Jordan

Diane Louise Jordan

*My absolute favourite Blue Peter presenter when I was young: